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Wednesday, September 16, 2026
Strum Magazine
GUITAR, STRINGS & MUSIC CULTURE

Classical Music

Blues, folk, bluegrass, rock and beyond traced through the playing: tunings, chord voicings, rhythm feel, and the records that set each template.

Guitar Humidity Explained: Why 45 to 55 Percent Matters
Classical Music

Guitar Humidity Explained: Why 45 to 55 Percent Matters

Wood keeps trading moisture with the air around it. Here is the equilibrium data behind the humidity window Taylor and Martin both publish, what dry and wet guitars look like, and how to check the hygrometer you are trusting.

By Oliver Grant
Weekly practice routine infographic with time blocks and tempo steps
Classical Music

How to Build a Classical Practice Routine

A workable classical guitar routine splits the hour into technique, repertoire, and reading — with slow practice as the engine of all three.

By Deshawn Carter
Two guitarists comparing wound bass strings in a music shop
Classical Music

Classical Bass Strings: Brass vs Steel

The wound strings on a classical guitar are not steel at all — the real choice is between bright bronze-family windings and warm silver-plated copper, and it changes your bass voice.

By Deshawn Carter
Luthier workshop with braced guitar tops clamped on the bench
Classical Music

Classical Guitar Bracing: Fan vs Lattice

Fan bracing is the Torres-era traditional voice; lattice bracing trades that warmth for volume — here is how the two systems work and who each suits.

By Deshawn Carter
Close-up of woven carbon fiber classical guitar body beside spruce top
Classical Music

Carbon Fiber vs Wood Classical Guitars

Composite guitars shrug off humidity and travel damage; wood still owns the traditional concert sound — the decision splits by climate and gig calendar.

By Oliver Grant